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Breakdowns in relations between arts organisations and their ticketing suppliers aren’t uncommon. Roger Tomlinson explains why – and what can be done about it.

For 25 years now, one of my side-lines has been to be involved as an expert witness, arbitrator, broker, adjudicator in disputes between arts and entertainment organisations and software suppliers of ticketing systems and similar marketing and CRM tools, web developers and even sometimes infra-structure providers. Who would have thought that things like electricity or computer cabling could be so disruptive? Who would have thought that such large sums could turn on who said what, when, who meant what, when? I won’t be quoting any names here.  And to be fair, some system supplier’s ownership and not-for-profit model such as Tessitura put them into a different situation.
The challenge, however, has always been that the people on the supply side come at situations where working relationships are breaking down with a different perspective from those on the users side, particularly it seems in not-for-profit organisations. I have sympathy with the users, because the marketing messages of suppliers will often have talked about working in “partnership” with their users, emphasising their commitment to joint success, their friendliness, and the diligence of their support, promising to go “the extra mile” to achieve customer satisfaction. Well they would wouldn’t they... Keep reading on The Ticketing Institute

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