Freelancers, young people, women and live performance art forms have been disproportionately affected by a year of lockdowns. Extended financial support may not be enough.
Europe’s largest ethnic minority is perhaps the most marginalised in the arts. Carl Woodward says addressing this means changing our ideas of access and inclusion in post-pandemic theatre.
Imperial College researchers will estimate the probability of infection at two theatres and consider whether a covered venue can "behave" as an outdoor space.
The theatre industry needed a champion in a time of crisis. National Theatre Scotland answered the call and it’s not turning back, writes Jackie Wylie.
Research indicates people value gallery visits at £5 and would pay £11 to keep a local theatre going. What motivates that valuation is harder to define.
Lucy Askew explores the possibilities behind a digital theatre platform that puts first things first, and the digital repertory company that will be testing it out.
The largest Paul Hamlyn Foundation grant since 2006 will provide a sustainable basis for the theatre’s ongoing work, plus money to evaluate its long-term impact.
Despite what you may have heard, theatre isn’t dead. Moving online has made new spaces for creativity and collaboration that won’t close when venues reopen, writes Laura Killeen.