DCMS 'overstated' economic value of UNBOXED festival

Image of light installation projected onto a building
02 Dec 2022

Investigation of government's flagship UNBOXED festival finds it was given go-ahead despite an 'overstatement' of its value to the economy by DCMS, but broadly met its audience targets.

Westminster Council pledges £1.8m funding for arts

02 Dec 2022

Westminster City Council has announced it will set aside £1.8m for arts and culture funding over the next four years.

The council said the money will help fund a range of projects to make culture more accessible to residents and visitors.

It added that it hopes to break down social and economic barriers by extending free cultural opportunities to those facing financial hardship, young people, over-65s, ethnic minority groups, people with disabilities and those experiencing social isolation.

Within the budget is a new annual Culture and Community Grants Programme, which invites local organisations and schools to bid for up to £10,000 of funding to help deliver community-based projects. 

Tim Roca, Deputy Leader at Westminster Council and Cabinet Member for Young People, Learning and Leisure, said: “I’m very excited to announce this new cultural budget that will fund a range of projects across Westminster. 

"This new funding will bring culture directly into our communities and provide a boost for Westminster’s thriving arts scene which attracts so many visitors each year."

British Council commits £14m to protect global heritage

30 Nov 2022

The British Council has announced £14m of funding to protect international heritage at risk from factors including conflict and climate change.

The funding will be distributed among 17 new projects over two-and-a-half years, through the British Council’s Cultural Protection Fund, in partnership with the Department for Digital, Culture, Media and Sport.

The projects receiving funding include a plan by Egyptian NGO Megawra to revive and protect two Islamic monuments in Cairo, where rising temperatures and excessive flooding are damaging buildings and infrastructure. 

“From the conservation of 13th century manuscripts in Gaza, to preserving buildings in Cairo, it is vital we do our utmost to protect precious global heritage at risk due to climate change and conflict,” said Arts Minister Lord Parkinson.

The British Council received an unprecedented level of high-quality proposals for funding, said Stephanie Grant, Director of the Cultural Protection Fund.

“The selected projects represent a diverse range of approaches to protecting cultural heritage, but with a shared motivation to safeguard cultural heritage for future generations, tackle urgent global challenges and deliver positive societal and economic impact for local populations,” she said.

The British Council also announced that it will fund two year-long research fellowships on cultural relations and climate action, in partnership with the American University of Cairo, the Indian Institute of Technology and the International Centre for Climate Change and Development in Bangladesh.

Two early-career researchers from the global south will receive funding to undertake fellowships at the University of Cambridge.

NPO results: Implications for sector support

29 Nov 2022

IPSOs will take over the role of current Sector Support Organisations, but with a renewed focus on Arts Council England’s Investment Principles.

Northern Ireland brings artists into the classroom

29 Nov 2022

Eleven schools in Belfast and Londonderry will receive funding enabling them to participate in a pioneering education programme inviting professional artists to share their skills with children in the classroom.

The Arts Council of Northern Ireland, the Education Authority and the Urban Villages Initiative have announced funding to continue the Creative Schools programme.

Participating schools are invited to collaborate with artists working in fields including animation, film-making, journalism, music production, photography and scriptwriting. 

The Creative Schools programme was originally launched as a pilot in 2017 and has to date benefited 1,000 pupils. Last year, schools were invited to apply for up to £15,000 in funding to develop a bespoke project. 

“The Creative Schools programme is a landmark arts and education project,” said Roisin McDonough, Chief Executive of the Arts Council of Northern Ireland, which is investing £100,000 from its National Lottery funds in the scheme.

“It brings professional artists into the classroom to deliver practical and creative lessons that broaden learning opportunities for our young people, opening up creative career pathways.”

The programme is beneficial for students’ mental health, enabling young people “to experience a sense of freedom, self-expression and enjoyment”, said Education Authority Chairman Barry Mulholland.

Grassroots call for radical change

Artists in covid masks painting
28 Nov 2022

New research that identifies how the pandemic heightened artists’ precarity highlights radically different perspectives for healthy arts ecologies in the future, writes Susan Jones

MPs to investigate Arts Council England funding decisions

Arts Council England Chief Executive Darren Henley
27 Nov 2022

Department for Digital Media and Sport Select Committee will hold an evidence session with Arts Council England's Chief Executive Darren Henley next week.

Responses to ACE National Portfolio funding expose systemic racism

Weighing scales balancing North against South
24 Nov 2022

ACE has pulled off a coup in racial and geographic equity. Kevin Osborne says now we need to fight to prevent any reversal of this progress.

MPs slam ACE’s 'shameful' funding decisions

23 Nov 2022

MPs from across the political divide call for government intervention on Arts Council England's investment plans, suggesting the organisation has 'gone rogue' and labelling its attempts to redistribute funding outside London as 'crazy tokenism' and 'shameful'. 

Good causes funding sees record return

23 Nov 2022

The arts will benefit from a record return in Good Causes funding after The National Lottery announced its highest ever sales for the first six months of the 2022/23 financial year.

Total lottery sales increased to £4,063.9m over that period, breaking the £4 billion mark for the first time in the 28-year history of The National Lottery and outperforming last year’s total by £102.5m (+2.6%).

The half-year success has been attributed to record digital sales.
 
Good causes funding – of which the arts receives 20% – totalled £956.5m, an increase of £72m (+8.1%) on last year.

This takes the total generated for Good Causes since The National Lottery launched in 1994 under Camelot to £47bn.

Czech lottery business Allwyn will take over Camelot’s lottery contract in 2024 and has previously said it will increase the amount the arts receives through Good Causes funding.

“In this hugely testing economic period, I am proud that my team’s remarkable performance builds on previous years of record ticket sales and returns to Good Causes – and extends our track record of delivering for people across the UK,” Camelot Chairman Sir Hugh Robertson said.

“With just over a year to run until the start of the next licence period, I am confident that The National Lottery has never been in better shape.”

Welsh National Opera to cease performances in Liverpool

22 Nov 2022

Welsh National Opera has announced it will no longer tour in Liverpool because of cuts to its Arts Council England funding.

The company, which receives National Portfolio Organisation funding from both ACE and the Arts Council of Wales, has had its ACE grant cut by 35%, a drop of £2.2m.

WNO General Director Aidan Lang said: "Our decision to withdraw from performing in Liverpool is regrettable, but has been carefully considered, taking into account a wide range of factors which will help us to make cost savings without impacting the quality of our work." 

WNO has been touring to Liverpool since 1968, first at the Royal Court and from 1976 at Liverpool Empire Theatre.

The decision means that 2023 productions of 'Blaze of Glory!', about a miners' choir set in the 1950s, and Mozart's 'The Magic Flute' will no longer be performed in Liverpool.

Other tour dates in Cardiff, Llandudno, Milton Keynes, Bristol, Birmingham, and Southampton will still go ahead. 

Fewer than three million visited Unboxed in person

22 Nov 2022

A £120m celebration of British creativity attracted a total of 2.8 million visitors, newly published audience data shows.

As well as 2.8 million people visiting free live events for the Unboxed festival, 13.5 million accessed digital and broadcast content and 1.7 million took part in learning, volunteer and community participation activities, organisers claim.

The headline figure includes the television audience of a special edition of the BBC programme Countryfile broadcast last month, which featured a 15-minute segment of content created by Unboxed.

The figures fall significantly short of a “stretch target” of 66 million set by the festival’s chief creative officer, Martin Green, who recently left Unboxed to run next year’s Eurovision song contest in Liverpool.

The National Audit Office is currently conducting an official probe into the value for money provided by the government-funded festival - widely dubbed 'The Festival of Brexit' - following a critical report by the DCMS Select Committee which concluded that the investment was "an irresponsible use of public money".

Stuart Andrew, the Minister for Sport, Tourism and Civil Society, said the festival had “taken culture to the doorsteps of millions in communities right across the UK” and “inspired people who attended events, got involved online or watched on TV”.

Since February, 10 free Unboxed projects have opened across the UK. These include a decommissioned gas platform called See Monster in Weston-super-Mare and a trail through the solar system called Our Place in Space in Northern Ireland, Liverpool and Cambridge.

Operators of Nottingham Castle set for liquidation

21 Nov 2022

Nottingham Castle has closed to visitors after the trust responsible for its operation revealed it is about to enter liquidation. 

The Nottingham Post reports that Nottingham Castle Trust has started the process of appointing liquidators. 

A statement published today (21 November) by the trust's board said: "We are saddened and hugely disappointed to announce that today, Nottingham Castle Trust has begun the process of appointing liquidators. This is a heartbreaking day for trustees, our staff, visitors, and the city.

"Despite the immense dedication of staff and volunteers, the Castle is now closed to visitors."

Nottingham Castle reopened in June last year after a three-year renovation. The £30m project, which was partially funded with £8m loaned from the city council and £13m from a lottery grant, saw a new visitor centre and cafe added, with existing galleries refurbished.

Controversial PwC contract has 'commercial exploitation' clause

18 Nov 2022

Under terms of audience data contract issued by Arts Council England, permission could be granted for information collected by PricewaterhouseCoopers to be 'commercially exploited' by the consultancy firm in the future.

Henley defends ACE funding decisions

16 Nov 2022

Amid protests against Arts Council England decision to cease funding a range of organisations through the National Portfolio, Chief Executive Darren Henley stresses the importance of 'taking culture where it hasn't been before'.

Opera in need of a collective voice

Paraorchestra playing in streets of Bristol
16 Nov 2022

As the dust settles on ACE's announcement of its new portfolio, Mark Pemberton unpacks the numbers to see what the outcome is for orchestras and opera companies.

Parliamentary committees moot alternatives for arts funding

15 Nov 2022

Reports from cultural committees call for UK and Scottish governments to innovate new ways of funding arts and culture through the cost-of-living crisis.

Jeremy Hunt urged to support orchestras in Autumn Statement

15 Nov 2022

The Association of British Orchestras (ABO) has called on Chancellor Jeremy Hunt to put in place measures to support the UK’s orchestral sector in this week's Autumn Statement in the wake of cus to funding from Arts Council England (ACE).

Judith Webster, Chief Executive of ABO, said she is “deeply concerned” by the impact of the removal of some organisations from the ACE's National Portfolio and “significantly reduced” funding for others.

“We are particularly concerned with our members working in opera and contemporary music, where the biggest funding reductions have fallen,” she said. 

“Continued support for our sector is particularly needed at a time when orchestras are still in the early stages of recovery, rebuilding the confidence of live audiences and dealing with the headwinds from the cost-of-living crisis and Brexit.”

The ABO has urged the Chancellor to use Thursday's Autumn Statement to extend the temporary 50% uplifted Orchestra Tax Relief, which is currently due to reduce to 35% from April 1 next year and return to 25% on April 1, 2024.

“An extension to the 50% rate is the critical measure which will allow UK orchestras to rebuild income streams and plan confidently for the future,” Webster said."

NPO analysis: City of Culture bidders see funding uplifts

Bradford projected onto city building
14 Nov 2022

Most of the English towns and cities that applied to be the next UK City of Culture will see their amount of funding increase in the new NPO round. 

Call for ACE chair to resign over ENO cuts

11 Nov 2022

Chair of Arts Council England Sir Nicholas Serota should resign over the decision to cut funding from the English National Opera (ENO), a former Director of Productions has said.

In a letter to The Times Sir David Pountney, who was at ENO from 1982-93, described plans to withdraw ACE funding as "brutal and irresponsible".

"There is an argument for rebalancing cultural funding between London and the regions but this requires serious planning," he said.

"The fate of several hundred employees and an institution with a history of 90 years is not to be decided so arbitrarily."

Pountney added that there was no evidence the suggestions by ACE that ENO could potentially be relocated to Manchester had been seriously considered.

"There have been no discussions with Manchester’s existing cultural bodies, let alone with Opera North, which already performs in Manchester, nor any analysis of the necessary investment to create a venue in Manchester appropriate for a national opera company," he said.

"Slashing the money first and considering the resulting options afterwards is totally unprofessional. 

"Sir Nicholas Serota should not have put his name to such a procedure, whatever the pressure from the government (what happened to the 'arm’s length principle'?) and should resign."

Speaking earlier this week on the proposals Serota said that ACE was faced with "some very difficult choices" in making its funding decisions. 

"We decided that we should not spread the misery across every company in the country," he said.

"We should actually identify those companies that we thought could survive a withdrawal of their funding and on which we had faith that they had the ability to respond."

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