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The days when The Beatles played Croydon may be a distant memory, but the council’s regeneration plans hope to bring culture – and audiences – back to the borough’s heart. Paula Murray explains how.

Photo of proposed redevelopment of Croydon's centre

From my desk on the sixth floor of the council offices, Croydon’s skyline is quite amazing. It has towers clustered in the centre, Victorian rooftops to the north and a suburban sprawl to the south, all linked together by over 100 parks and green spaces. It is a borough of enormous contrasts that’s been on a half-century-long rollercoaster ride of cultural change.

When we spend so much of our time looking at screens and in our own homes, spaces to gather, attend events and share common experiences are important

Croydon’s cultural boom years were the 1960s and 1970s, when the then-new Fairfield Halls and a collection of successful smaller venues like The Greyhound hosted the biggest and the newest names of the time (The Beatles, The Who, Queen, Jimi Hendrix, The Ramones, Kraftwerk and Talking Heads). Croydon also attracted other creative geniuses, such as visual artist Jamie Reid and impresario Malcolm McLaren.

But improved connections to central and north London saw audiences for live entertainment increasingly drawn to the West End, and Croydon’s evening offer shifted to big nightclubs. Many smaller live venues just couldn’t compete. Like many outer London suburban boroughs, Croydon saw commercial investment decline and as old, outdated office stock was emptied of tenants, the early evening economy was hit by a lack of office workers.

Investment and regeneration

But now it is all changing. Over the next five years, more than £5bn will be invested in the borough’s regeneration, creating 23,500 new jobs, 9,500 new homes, a cultural quarter and one of Europe’s largest leisure and retail destinations.

Croydon needs to develop and improve. It needs more housing, jobs and beautiful public spaces. Crucially, what is also needed at the heart of this change is for the town to develop and retain its culture. If it doesn’t, then it risks losing its personality, energy and distinctiveness. It’s just not enough in life to have only housing and shopping.

New public realm schemes will only work if they are lovely to be in and attract footfall – informed by good design with thought given to natural spaces for events and public gatherings. When we spend so much of our time looking at screens and in our own homes, spaces to gather, attend events and share common experiences are important.

Culture at the heart

Another important thing a town centre should do is stay active once offices and shops close for the day. The evening and night-time economy speaks volumes about how people feel about an area. That is why Croydon Council is looking hard to find ways of supporting small-scale live music venues and building stronger relationships between the police, licensing teams and those who are keen to book and promote quality performers.

The council’s £3m loan to Boxpark Croydon, to create a 2,000 capacity space filled with quality food, craft beers and performance space underlines this commitment.

We are lucky in Croydon that we don’t have to make everything up from scratch. You can’t make up historical narratives and talented organisations and artists, a burgeoning music industry or an intense cluster of top-class Asian dance – all of the starting points for cultural growth.

Refurbishment of Fairfield Halls

There is already good architecture to work from and Fairfield Halls is a centrepiece in the development that is undergoing substantial refurbishment.

The £30m council investment will see improvements to its concert hall, Arnhem Gallery, Ashcroft Theatre and the main foyer and front-of-house spaces. It will add new studio space and replace the mechanical engineering services and façade treatment. All in all it will be a substantial re-upholster, repaint and revamp to return it to its stylish 1960s splendour.

Although the building is not listed, its heritage has been a driving force. The design team, Rick Mather Architects, won a New London Architecture award for Fairfield Halls design in the Conservation and Retrofit category. Its design celebrates Fairfield’s past and its close links with the Royal Festival Hall, while at the same time ensuring audiences will be comfortable.

The venue closed in the middle of July, the hoardings are up and the asbestos scoping is nearly completed. Harrison & Harrison is coming in next week to build protective walls around the organ and take away some of its more tender bits for safe keeping until the refurbishment is done.

Over the next few months the council will be appointing an operator for the building when it is ready to retake its place as the heart of Croydon’s cultural landscape in 2018.

A mixed reputation

So we know where we are starting from and that we have a way to travel. Croydon’s reputation is a mixed thing and you can meet both a slight sneer and a fierce Cronx pride in the space of a day – and both are better than indifference. Love Croydon or not, one thing’s for sure, there’s too much happening here over the next few years to ignore it.

Paula Murray is Creative Director at Croydon Council.
www.croydon.gov.uk

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Photo of Paula Murray

Comments

I entirely understand why Paula Murray has placed this article within a leading arts industry publication. I work in PR I would do the same in her position. I can also celebrate her positivity.,However Croydon Council have much to answer for both in terms of their past and present actions and attitudes towards the vital contribution that culture can and should make to civic life. I was born and grew up in Croydon and make frequent return visits to the town. What I have witnessed over the past 15 years have been extraordinary acts of cultural Vandalism. First to go were the fabulous independent cinema, the David Lean cinema, followed by the Clocktower which boasted a theatre Space, enthusiastic arts team and an all year round programme of cultural activity. Then they allowed the destruction of the Warehouse theatre. A special new writing venue which offered me my first opportunity to perform and appreciate the world and community of theatre. And finally the decision not to stagger the building works in the Fairfield Halls over a longer time frame to allow for partial use of the building so audiences could still enjoy entertainment offerings whilst building works continued. But what maddens me most is the place that Paula mentions in her piece, in terms of some kind of answer to Croydon's cultural prayers, the imaginatively named Boxpark. Which should be mentioned as having been built on the site of the old Warehouse Theatre. Box park is a retail food "experience". It is a place desIgned for people to sit in a homogenised eating and drinking zone to consume. Retail is the only experience that Croydon understands. Box park doesn't even bother to mention culture on its website. They sayBoxpark is the world’s first pop-up mall – fusing the concepts of modern street food and placing local and global brands side by side creating a unique shopping and dining destination. It is a mall. Another mall. It is no coincidence that the riots across London hit London hard. Until those responsible for the civic life of Croydon citizens fundementally understand that there is more to life than a retail experience, nothing will ever change in Croydon and no amount of PR inspired articles will change that.

I'm old enough to remember when Croydon Clocktower was the great new thing. Now its rather sad. I hope Fairfield Halls don't suffer the same characteristic local authority fate of massive capital investment followed by declining revenue and reducing activity - see also Walsall Art Gallery, Birmingham Library...